Campaign objective
FranceTV Publicité (FTP) built the campaign around a single TV-native move: take the short on-air ident that usually marks the start and end of advertising on France 2 (a well known visual “bump”, where the channel’s celebrities seem to be touching the screen to ‘enter’ into the advertising break) and turn it into a moment to pass an important message.
The campaign’s main message is a very concrete one. The concept is to use the idea that viewers often step away at the start of a commercial break, often to go to the loo, rather than fighting it. The on-air line addresses the “bathroom break” habit directly and links it to a second action: use that moment to take the at-home colorectal cancer screening test.
INCa places the work within a wider public-health target: its ten-year strategy aims to raise participation across all screening programmes and reach one million additional screenings by the end of 2025 (across screening types).
Context
“Mars Bleu” is France’s annual mobilisation month for colorectal cancer prevention and screening. The campaign partners cite a participation problem: only 34.2% of eligible people, women and men aged 50–74, without risk factors, relevant medical history, or symptoms, complete the national colorectal cancer screening programme.
That context shapes the choice of format. A standard spot has to win attention inside a moment many viewers treat as downtime. FTP instead shows their commitment byplacings the message in the channel’s identity itself, ie the very famous break opener. The bet is simple: if the viewer recognises the bump as “the break starts now,” the message lands before the decision to leave the room. The fact that the celebrity, who is usually only shown a few seconds pressing on the screen, now suddenly continues to appear on screen, talking directly to the audience with a message that is very timely, ie relevant to the moment itself, makes the format even more powerful.
The creative tone stays light while tackling a sensitive topic. The campaign uses a familiar and very respected French TV figure, Samuel Étienne, and frames the prompt as a direct address rather than a medical lecture. The form links that choice to credibility and attention: a host known to the audience carries the message in a voice that resembles channel presentation, not an external interruption.
The campaign also ran a spot ahead of the France–Scotland rugby match for 11 GRPs. Médiamétrie’s year-end ranking lists France–Scotland as the biggest TV audience in France in 2025.
Creative Minds
FranceTV Publicité (FTP) led the on-air format on France 2 and coordinated delivery.
France Télévisions / France 2 provided the on-air environment for the device, with Samuel Étienne appearing on screen as the channel-side presenter for the diverted break-start ident.
INCa (French National Cancer Institute) partnered on the public-health message; Emmanuelle Colin (Director of Communications and Information) is named as a spokesperson.
Australie.GAD and dentsu worked alongside the other partners on the campaign.
Video available here.
Results
FTP reports reach and delivery for March 2025, with performance stated against internal estimates for Adults 50+:
268 GRPs among Adults 50+ (+9 vs estimate)
136 GRPs among Individuals 4+
54% reach among Adults 50+ (+1 point vs estimate)
14.6 million Adults 50+ reached (+300K vs estimate)
19.3 million Individuals 4+ reached
Source: egta.com
OTHER CASE STUDIES

AN IMMERSIVE CANAL+ BRAND SOLUTIONS COLLABORATION FOR SKIN-CARE BRANDS WITH SENSITIVE STORIES TO TELL
26. 6. 2026CANAL+ BRAND SOLUTIONS and its in-house studio LA FACTORY created “Marquer l’Invisible” for Avène, linking Cicalfate+…

M6 UNLIMITED TESTS AI SPOT CREATION FOR SMALLER TV AND STREAMING ADVERTISERS
22. 5. 2026M6 Unlimited is testing a simpler route into TV and streaming for SMEs and new advertisers…

THE TV ADVERTISING PARADOX, A THINKTV NEW ZEALAND CASE STUDY (2/2)
22. 5. 2026ThinkTV New Zealand built its campaign around the contradiction that linear TV was being called obsolete…

A BIG-SCREEN STUDY FINDS STRONGER ATTENTION ON TV4 PLAY THAN ON YOUTUBE
24. 4. 2026TV4 just launched its third attention study, comparing the viewing experience on its streaming service (TV4…

THE TV ADVERTISING PARADOX, A THINKTV NEW ZEALAND CASE STUDY (1/2)
24. 4. 2026In late 2024, ThinkTV New Zealand, under the leadership of Jacqueline Freeman, GM Communications, undertook a…

AD EMISSIONS MEASUREMENT: LESSONS FROM THE FINNISH MARKET
31. 3. 2026Finland’s commercial TV broadcasters spent the past year developing a carbon emissions measurement framework for linear…

A NEW WAY FOR FRANCETV PUBLICITÉ TO SELL CONTEXTUAL VIDEO ADVERTISING
27. 3. 2026FranceTV Publicité (FTP), the advertising sales house for French public television, has introduced Context.IA into its…

BUILDING A SHOPPABLE, ATTENTION-READY CTV OFFER: THE BIG BROTHER CONTEXTUAL CASE
26. 3. 2026In 2025, Paramount Australia, in partnership with FreeWheel and egta, hosted a webinar outlining a forward-looking…

GLOBO CREATES HOME SCREEN PROMINENCE FOR FREE-TO-AIR TV ON SMART TVS
26. 2. 2026Globo, Brazil’s largest commercial TV group, is rolling out DTV+, a next-generation free-to-air TV standard designed…

THE VISUAL TRANSFER EFFECT: HOW SOUND BUILDS BRANDS
24. 2. 2026In collaboration with neuro-marketing agency Unravel, Talpa Media has produced the scientific proof that audio does…
RMB TURNS QR CODE VOTING INTO A SHARED VIEWING MOMENT THAT STRENGTHS BRAND IMAGE FOR SPRITE AND DELI CHOC
24. 2. 2026Campaign objectives The chocolate snack Deli Choc and soft drink Sprite brands worked with RMB to…

CANADIAN SUPERSTAR ANDREW PHUNG HELPS VIA RAIL CHALLENGE CAR CONVENIENCE ASSUMPTIONS WITH LONG-FORM STORYTELLING ACROSS CBC’S TV ECOSYSTEM
24. 2. 2026Campaign objectives VIA Rail, the company operating Canada’s national passenger rail service, combined a new product…


