HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES
spolupráce s

24. 2. 2026

The iX3 launch in Belgium used prime time to make a first impression quickly. The plan did not rely on many repeated 30-second ads. Instead, it opened with a two-minute film that ran without interruption.

In this campaign, this timeframe was used as a clear countdown linked to the car’s driving range. The number on screen built up to 805 kilometres, which is the distance the BMW iX3 can travel on a full battery charge.

On the programming side, this BMW film aired at the lead-in to “De Slimste Mens Ter Wereld” (The Smartest Person in the World). This is a prime-time quiz show with a loyal audience. Viewers often arrive early and wait for the programme to begin. That waiting time creates a natural window for a long story. The campaign used that window for the launch message, then stayed close to the same programme environment in the weeks that followed.

Campaign objectives

The first objective was to introduce the iX3 as a flagship electric model. Range sits at the centre of that message. Instead of listing the range in a single line, the campaign turned the number into the storyline.

Another objective was to link the launch to a high-profile viewing habit. A prime-time quiz show creates a shared national moment. By placing the main film at the start of that moment, the campaign aimed to make the launch feel tied to a specific time and place in the schedule, rather than spread across many unrelated breaks.

And finally, the campaign used rarity to help memorability. The two-minute film ran only twice. After that, the plan switched to short units that kept the same cue alive from episode to episode. This is an efficient logic in TV planning: use one strong “anchor” exposure to set the idea, then use short reminders to keep recognition high.

Creative Minds

Ads & Data developed the “Battery Countdownconcept through its Brand Studio and adapted the idea into the shorter supporting formats. Play Media provided the programme environment and the inventory structure around the prime-time slot.

Results

After two airings, the campaign relied on shorter formats to keep the message present. It ran 7-second TV billboards before and after episodes, and it continued with 30-second spots across the rest of the run. The plan aimed to keep the same cue system consistent, so viewers would recognise the idea quickly when it returned.

The programme environment is credited with reaching over 1 million viewers per episode, with the two-minute film given a dominant lead-in placement. The qualitative outcomes evolve around memorability and top-of-mind awareness across TV and digital touchpoints, as stated by the following client feedback:

Working with Ads & Data allowed us to showcase the new BMW iX3 at the perfect moment in a creative, premium way to millions of viewers.

Georges Pagalis, Media Manager, BMW Belux

All in all, the two-minute device was designed to feel rare. If it appeared too often, it would become routine, and the “event” effect would weaken. That is why the schedule used the long film sparingly and let the shorter formats carry continuity.

General information

Brand: BMW

Sector: Automotive

Sales house: Ads & Data

Market: Belgium

Media and platforms: TV/Digital

Source: egta.com

OTHER CASE STUDIES



USING ELECTION NIGHT VIEWING HABITS TO MAKE A RETAIL MESSAGE FEEL LIKE ENTERTAINMENT

24. 2. 2026

This campaign connected Bauhaus’s retail messaging to a major national television event. In Finland, municipal and regional elections feature hours-long results TV programmes that track vote counting as results come in. Bauhaus (a major home improvement retailer) partnered with the biggest national broadcaster, Sanoma, to create branded entertainment within this format, using “price” as the… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

24. 2. 2026

The iX3 launch in Belgium used prime time to make a first impression quickly. The plan did not rely on many repeated 30-second ads. Instead, it opened with a two-minute film that ran without interruption. In this campaign, this timeframe was used as a clear countdown linked to the car’s driving range. The number on… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

WHEN DISNEY CAME TO DANCING: A LIVE SHOW BECOMES A FAIRYTALE

24. 2. 2026

Inspired by Disneyland Paris’s Disney Music Festival, where performances by Disney-movie characters fill the park with dance and live music, DPG Media’s creative team proactively conceived an unprecedented brand integration: a dedicated Disney-themed episode of Dancing With The Stars. The concept was not driven by a client brief. Knowing the client’s wishes and dreams, and… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

WHEN BRANDS BECOME CHARACTERS: TRANSFORMING PRODUCT PLACEMENT INTO ENTERTAINMENT

30. 1. 2026

ProSieben and Joyn broke new creative ground with The Masked Singer Germany, transforming traditional product placement into something unprecedented. Seven.One Media worked with Playmobil to create a partnership where the brand did not just sponsor the program or place products within it – instead, the brand became a competing character. The Playmobil Pirate mask sang,… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

WHEN ENTERTAINMENT BECOMES EDIBLE

30. 1. 2026

General information Country: France Company: CANAL+ BRAND SOLUTIONS Client: McDonald’s Sector:  FMCG (Food & Beverage) Media: Linear TV, digital video, social media, in-app activation, in-store Time period: 4 months (September – December 2024) Background Hot Ones is a popular interview show concept in which well-known personalities answer in-depth questions while tasting progressively spicier hot sauces, creating a mix of entertainment, authenticity, and… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

USING CARBON SCORING TO STEER ADVERTISING TOWARDS MORE SUSTAINABLE PRODUCTS

11. 12. 2025

FranceTV Publicité has partnered with independent consultancy Carbone 4 to measure the climate compatibility of advertised products and, from 2026, to encourage higher-scoring products with preferential airtime across its ecosystem. This approach treats climate-compatible advertising as a lever sales houses can actively control, rather than a passive constraint. The following sections highlight seven points sales… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

RMB BLUE, A TRANSITION BRAND AND COMMERCIAL SYSTEM FOR VALUES-BASED ADVERTISING

10. 12. 2025

RMB has created Blue as a single transition brand that signals a purpose-driven marketing strategy to both citizens and advertisers. From a B2C angle, it is presented to the viewers through a recognisable on-air identity and the www.bluepub.be website, and from a B2B perspective, to the ad market as a label attached to campaigns that… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

HOW TO USE UNSOLD INVENTORY TO PROVE TV’S EFFECTIVENESS

28. 11. 2025

Transfer Media, Belgium’s sales house for premium thematic and kids channels, worked with DSTRSD media to turn unsold linear TV minutes into measurable single product commerce tests. The goal was to show how unused airtime can support a low effort conversion pilot that brings incremental revenue and gives sales teams concrete evidence on audience response,… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

HOW A LIGHTER AD LOAD ON CANAL+ BRAND SOLUTIONS’ STREAMING PLATFORMS BOOSTS EFFECTIVENESS IN ALL FUNNEL STAGES

28. 11. 2025

Canal+ Brand Solutions – the sales house for Canal+ in France – released the results of a study on the advertising experience offered on Stream+, their aggregated digital video offer, which limits ads to an average of three minutes per hour and two pre-roll ads at the start of each program. The results show that… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

DPG’S AD MANAGER+ LAUNCHES FOR SEAMLESS DISPLAY WITH AI-BASED AUDIENCE

24. 10. 2025

DPG Media is extending its in-house platform with Ad Manager+. The update adds AI optimization audience expansion, creative tools, and workflow support in the same self-serve environment that supports Full CTV and retail-data activation. For sales houses: retail and commerce data become addressable on big-screen inventory within a sales-house stack, with performance tools, reporting, and… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

INSIDE FRANCETV PUBLICITÉ’S ADSPACE•IA’S PLANNING LAYER

14. 10. 2025

FranceTV Publicité is transitioning its media buying operations into an AI-assisted mode. ADspace•ia now produces real-time, inventory-aware recommendations for TV-cross-video campaigns. It executes these plans as a managed service on france.tv’s premium offer. For sales houses, this marks a tangible step in AI commercialisation: algorithmic Total Video mixes enriched with attention and carbon reporting. AI… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

UNBOXING THE FUTURE: TURNING SWEEPSTAKES INTO AN IMMERSIVE AR EXPERIENCE

11. 9. 2025

In summer 2025, RTL AdAlliance in Austria reimagined the traditional sweepstakes by transforming it into an interactive Augmented Reality experience. Instead of waiting for a prize in a physical package sent to be to the winners, participants could place a virtual gift box in their own living room via smartphone and unbox it themselves. What… Continue reading HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

ALL CASE STUDIES