EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY
spolupráce s

27. 3. 2020

Media make up a large part of our daily lives, accompanying us everywhere, from the moment we get up until we go to bed, without us even realising it. Like travel, media open the way to discovery, enrich our knowledge and help us relax. While we can live without travelling, it is much harder without media.

This week’s egtabite features RMB’s MediaXtend (MXtend) study, a continuation of the MediaXperience cross-media study conducted in Belgium in 2016, analysing the daytime consumption of five main content-driven media: video, audio, social media, internet, and press.

MXtend extends the MediaXperience

The objectives of the MediaXtend study are to analyse the evolution of media consumption – given the explosion of content offers and the multiplication of media brands and establish a comparison with the MediaXperience study from 2016.

However, a comparison with the past is never easy as not only did brands and content multiply but new business models also emerged. The structure of the MediaXtend study has been fully in line with the current media offer, with changes mainly concerning media segmentation (i.e. subcategories within the video, audio, etc.).

Extensive methodology

The strong point of the MediaXtend study is that it is a single-source national study, based on a large sample, using a unique interview method common to all media analysed, measuring media consumption on all devices, platforms, and locations. The online survey, with over 3,000 both French and Dutch speaking respondents aged 16 to 64 was conducted in collaboration with the Kantar TNS Institute in October 2019 and spread out over 3 weeks.

The study questionnaire consisted of two parts. The first part, identical to the 2016 questionnaire, focussed on people’s media behaviour of the previous day and provides data on the average daytime audience, consumption duration, and volume shares.

The second part, as a new feature of the MediaXtend study, focuses on the media brands respondents had consumed in the past 7, 15 and 30 days. The feature pursues a more tactical objective; it provides food for thought in terms of media planning and allows the evaluation of a broadcaster’s or a commercial offer’s coverage potential over weeks. It also makes it possible to test the functioning of a certain mix of media brands.

In addition to the second part of the study, the integration of a questionnaire dedicated to some attitudes and consumption habits of Belgians is another novelty that allows to measure the interest of Belgians in different types of content, the attitudes of the population towards current topics such as environment and food trends and to better understand consumers’ behaviour in a few service sectors or FMCGs such as banking, food and beverages

Video and linear TV are still winners

The results of the MediaXtend study offer an overview of the global media consumption, and then each medium (video, audio, social media and websites) is analysed individually.

The figures that remained the same compared to the 2016 study are media penetration, as 98% of Belgians still visit one of the five media every day and daily consumption time, showing that Belgians spend 54% of their waking time with media. 71 % of media is consumed at home and the average number of devices used to consume media each day is still 3.6. While the average number of devices used daily has not changed in 3 years, the distribution between the devices used has changed significantly.

Moreover, out of the media analysed, video, which attracts 85% of Belgians and represents 4.5 hours of their time daily, is the one that performs the best, both in terms of daily audience and in terms of duration of consumption. As video dominates both in terms of the number of consumers and duration, it is also the leader in terms of volume share, as 37% of the time Belgians spend consuming media is dedicated to video, followed by audio (23% volume), websites (20% volume), social media (16% volume) and, finally, press (4% volume).

At the heart of video, linear television takes the lion’s share as 24% of the overall time spent with media is spent watching TV channels which proves the popular opinion about the decline of linear television to be wrong. Between 2016 and 2019, the overall duration of media consumption remained similar (approximately 9 hours per day). The study shows that no other form of video consumption takes the place of TV channels as each day, 70% of Belgians watch at least one TV programme.

The results show that on average over the day, 65% of the total video volume goes to offline TV, live and time-shifted combined. Video on demand accounts for 16% of the video time consumed while Internet TV has a 12% share.

Key takeaways

The MediaXtend study results point to some remarkable conclusions. Since 2016, the basics of media consumption have not fundamentally changed, while video and audio remain at the centre of media consumption, with linear media being far from forgotten. Young people are one step ahead, but they do not abandon linear television, as it remains their medium of choice. Despite technological advancements, the study shows overall stability for media consumption as people continue to devote the same amount of time to media at our home, on multiple devices. While standard television remains very popular, part of the viewing time has however shifted to online video platforms launched by broadcasters. Thanks to their digital development, broadcasters are maintaining their share of video consumption in terms of volume, thus limiting the growth of streaming services.

 

OTHER CASE STUDIES



GLOBO CREATES HOME SCREEN PROMINENCE FOR FREE-TO-AIR TV ON SMART TVS

26. 2. 2026

Globo, Brazil’s largest commercial TV group, is rolling out DTV+, a next-generation free-to-air TV standard designed for connected TVs. It brings broadcast channels into the TV operating system, with app-like navigation, login and interactive layers placed directly on top of live programming. The move fits Brazil’s viewing reality. Linear TV accounts for 57.9% of total… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

THE VISUAL TRANSFER EFFECT: HOW SOUND BUILDS BRANDS

24. 2. 2026

In collaboration with neuro-marketing agency Unravel, Talpa Media has produced the scientific proof that audio does not just complement TV. It actively reactivates it, reconstructing visual brand memories in the consumer’s mind through sound. The findings carry significant implications for how audio is planned, sold, and valued within the wider media mix. Context Talpa Media… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

RMB TURNS QR CODE VOTING INTO A SHARED VIEWING MOMENT THAT STRENGTHS BRAND IMAGE FOR SPRITE AND DELI CHOC

24. 2. 2026

Campaign objectives The chocolate snack Deli Choc and soft drink Sprite brands worked with RMB to reach younger audiences by becoming part of Belgian hip-hop show “PLAYGROUND”, supporting new rap talent through a live QR vote and cross-platform content. This helps the brands appear as enablers of the format rather than separate ads. For RMB… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

CANADIAN SUPERSTAR ANDREW PHUNG HELPS VIA RAIL CHALLENGE CAR CONVENIENCE ASSUMPTIONS WITH LONG-FORM STORYTELLING ACROSS CBC’S TV ECOSYSTEM

24. 2. 2026

Campaign objectives VIA Rail, the company operating Canada’s national passenger rail service, combined a new product launch with brand building, using long-form content to tackle misconceptions that tend to block conversion in travel: comfort, ease, and whether rail feels like a realistic alternative to driving for intercity trips. The objectives behind this campaign were to… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

HOW L’ORÉAL PARIS AND RTL MADE STREET HARASSMENT HARD TO IGNORE

24. 2. 2026

Context Sexual harassment in public spaces is one of the most common forms of gender-based violence in the world. Two figures frame the issue: 80% of women have experienced street harassment, but 85% of people say they lack training on how to intervene. Ad Alliance and L’Oréal created a campaign to respond to this problem… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

HOW AD ALLIANCE USED VIRTUAL SET GRAPHICS TO RESKIN THE LET’S DANCE STAGE FOR UNIVERSAL PICTURES

24. 2. 2026

Context This campaign promotes a film by changing the look of a well-known TV studio during the ad break, so the show setting becomes part of the idea. Universal Pictures International Germany supported the live-action version (made with real actors) of How to Train Your Dragon, based on a well-known animated franchise. The ad special… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

CHANNEL 4 SHOWS HOW PUTTING ACCESSIBILITY FIRST BENEFITS BOTH CUSTOMERS AND COMMERCIAL WITH CURRYS’

24. 2. 2026

Context Channel 4’s Diversity in Advertising Award 2025 set its brief under the theme “Inclusive by Design”. It asked brands to embed inclusive practices into the creative, rather than at the end of production. The initiative linked that ambition to airtime: £1m of advertising space across Channel 4’s portfolio sat behind the winning campaign. The… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

HOW BMW USED A COUNTDOWN TO HOLD ATTENTION FOR TWO MINUTES

24. 2. 2026

The iX3 launch in Belgium used prime time to make a first impression quickly. The plan did not rely on many repeated 30-second ads. Instead, it opened with a two-minute film that ran without interruption. In this campaign, this timeframe was used as a clear countdown linked to the car’s driving range. The number on… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

TURNING PEAK TV SHOW ATTENTION INTO TRUSTED CONTEXTUAL SPOTS AND FAN FOLLOW UP CONTENT

24. 2. 2026

Context A plot cue inside a flagship soap can set the terms of the next ad break, because viewers stay anchored in the same scene and characters. Emmerdale’s familiarity, plus its own show social channels, gave the message a recognisable voice on TV and somewhere to continue after broadcast. In this case, the ITV campaign… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

USING ELECTION NIGHT VIEWING HABITS TO MAKE A RETAIL MESSAGE FEEL LIKE ENTERTAINMENT

24. 2. 2026

This campaign connected Bauhaus’s retail messaging to a major national television event. In Finland, municipal and regional elections feature hours-long results TV programmes that track vote counting as results come in. Bauhaus (a major home improvement retailer) partnered with the biggest national broadcaster, Sanoma, to create branded entertainment within this format, using “price” as the… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

WHEN DISNEY CAME TO DANCING: A LIVE SHOW BECOMES A FAIRYTALE

24. 2. 2026

Inspired by Disneyland Paris’s Disney Music Festival, where performances by Disney-movie characters fill the park with dance and live music, DPG Media’s creative team proactively conceived an unprecedented brand integration: a dedicated Disney-themed episode of Dancing With The Stars. The concept was not driven by a client brief. Knowing the client’s wishes and dreams, and… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

WHEN A CROSS-FORMAT APPROACH MULTIPLIES IMPACT: BOL × HUIS GEMAAKT ACROSS CONTENT & CONTEXT

23. 2. 2026

Description Bol is Belgium’s largest e-commerce platform, a household name for buying books, electronics, and everyday items online. But furniture and home décor? That was not what consumers associated with the brand. DPG Media set out to change this perception through a multi-format partnership with Huis Gemaakt (“Home Made”), a popular Flemish TV show where… Continue reading EGTABITE 295: RMB’S CROSS-MEDIA MXTEND STUDY

ALL CASE STUDIES